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''Blood Inside'' is the sixth full-length studio album by Norwegian experimental collective Ulver. Produced by Ulver, together with Ronan Chris Murphy, the album was recorded and mixed in early 2004, and issued in June 2005 via Jester Records. The album see Ulver return to more classical arrangements and instrumentation. The coda on song “It Is Not Sound" is based on ''Toccata and Fugue in D Minor'' by Bach and the lyrics for "Christmas" were adapted from the poem of the same name by Portuguese author Fernando Pessoa, written in 1922. A video clip for "It Is Not Sound" was issued on May 2, 2005, via The End Records’ website, along with audio samples from ''Blood Inside''. == Background == Ulver's sound progresses here even more than in previous records. The music is influenced by several different genres such as rock, jazz, classical music, industrial music, and electronica. The working title of the album was ''Utopian Enterprise'', then changed to ''Heart'', before settling on ''Blood Inside''. Expanding on the evolution of the album, Rygg comments, “''Utopian Enterprises'' is a title we all like and it goes back to ''Perdition City'' and some ideas stemming from that period, but as the lyrics took form it did not fit anymore. Then there was the ''Heart'' Album. Even we thought that was a bit pretentious. So Jørn and I are walking/talking outside one night trying to figure out what it is all about. Thinking only in key words: heart, blood, red, rose, beauty, violence, body, life, death, ambulance, hospital and so forth. Then it struck us: ''Blood Inside''.” "In terms of genre, it is more rock than electronica. Even a bit psychedelic and/or progressive at times. The mood is kind of sanctified and sad. It has a few frivolous moments as well, but as they say, 'even in laughter the heart is sorrowful' (Proverbs 14:13.). I know there are many people who expect some kind of sequel to ''Perdition City''. It's not. It's got a different kind of sensibility. It's also got far too much sound on it to be similar to our film soundtracks, which are quite often based on very simple and transparent kind of themes.” “(Inside'' is ) kind of counteracting the 'less is more' trip we've been on lately. Our last proper album ''Perdition City'' was so keen on being cinematic that it almost read as an application form to the film industry. While we did get into the film industry, our illusions of how fun and easy it would be to score motion pictures were downed pretty fast as soon as we got more acquainted with those people and their working methods. Now, having been a somewhat voiceless and underlying stratum in other people's visions for a while, we just felt like we had to put up a big fat wall of sound this time around.” “''Blood Inside'' is not really that much of an electronic album, but it uses a lot of the technology we learned from our electronica phase. It showed us a different way to make records (while) still following different musical perspectives. They changed all of mine; it's not just true for me, it's true for most people. ''Blood Inside'' is like a monster kaleidoscope of illusions, very neatly arranged. As it seems now the next record is going to be without all that covering and more humble, with a more heartbreaking atmosphere; it's not going to be the same at all. We are kind of circular; it's reaction, anti-reaction, reaction, anti-reaction... it plays off each other; that's the way we work. As I said, we're not really good at perfecting a formula or sticking to what we know.” Rygg, commenting in Unrestrained magazine in 2007, reflected, "That was a very anarchistic album. We revelled in the freedom of not having to play by anyone's rules, our own included. With the EPs and all the stuff we did before, we had rules. The ''Silence'' EPs had rules because they were all based on mishaps. That's the whole concept of glitch music. It has to be based on sounds that aren't intended, in a sense. We also had rules laid out for the soundtracks, naturally, so ''Blood Inside'' got a little out of control. We just went all over the whole spectrum. I think it's a solid record but it's very different from what we've done now. I think we made some good music. I think the track “Christmas,” for instance, and “Your Call” are good tracks. “Your Call” was, by the way, a song that influenced this ''new record''. It set off the musical tone for this record." 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Blood Inside」の詳細全文を読む スポンサード リンク
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